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The Two “Secrets” of Effective Parallel Compression

Justin Colletti is back on the SonicScoop video blog, this time with some quick tips on getting the most out of your parallel compression technique. In the short video below, Justin reveals two of the...

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Auralex Now Shipping Sustain v2 Bamboo Sound Diffusors

One of the leading names in pre-assembled acoustical treatment is now shipping their new and improved Sustain v2 Bamboo Sound Diffusors. Pictured L-R: Auralex’s family of Sustain™ v2 Bamboo Sound...

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Plugin Review: Neve 88RS MkII from Universal Audio

Neve 88RS MKII from Universal AudioUniversal Audio’s emulation of the Neve 88RS channel strip was originally released in 2007, and has become a well loved tool in the UAD-2 toolkit. In recent years...

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The Best Ear Training Apps for Producers, Engineers & Recording Musicians

For most engineers, the ultimate goal is to be able to “feel” their way through a mix, and to do their work in a completely natural and intuitive way. Much like professional musicians, who often...

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Fall On Your Sword: Original Music for Picture, and Audio Post — Brooklyn Style

Composing and mixing for commercials and film from the heart of Williamsburg.

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Fall On Your Sword Adds Audio Post Mixer Ryan M. Price, Updates 7.1 Mix Room

Audio post’s footprint continues to loom larger in Brooklyn. The latest developments are at the Williamsburg collective Fall On Your Sword (FOYS), which has firmly established itself as a full-service...

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Fall On Your Sword: Original Music for Picture, and Audio Post — Brooklyn Style

According to Bates, the difference between employing a real baritone sax and its virtual equivalent is clear – even if it isn’t just about what you hear. “It’s not a question of, ‘Does that sound fake...

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Fall On Your Sword Adds Audio Post Mixer Ryan M. Price, Updates 7.1 Mix Room

Audio post’s footprint continues to loom larger in Brooklyn. The latest developments are at the Williamsburg collective Fall On Your Sword (FOYS), which has firmly established itself as a full-service...

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